Jacob
Cavenee
Art
177-001
Professor
Pease
23
February 2016
Hiroshi Sugimoto
Hiroshi Sugimoto was born in 1948 in
Japan. Sugimoto has been photographing since the 1970’s (Fraenkel Gallery). Before
leaving Japan, he received his bachelor’s in sociology and politics at St.
Paul’s University (Caplan). Sugimoto attended the Art Center College of Design
in Los Angeles (Caplan). Sugimoto travels back and fourth from Japan to New
York City. Sugimoto’s photography style is seascapes, movie theaters, history
dioramas, waxworks, and Buddhist sculptures (Gagosian). Sugimoto’s main
influence is surrealism and Dada. He likes to mix old century photography with
modern day elements.
Sugimoto’s technique is defined as a
nineteenth century style, large formatted camera with a long exposure. He like
to “explore the idea of photography as a method for preserving and modeling
time” (Artsy.com). Sugimoto’s studio in New York City faces the north. This is
important for his technique because all direct sunlight is avoided (The
Pulitzer Foundation for the Arts). Sugimoto’s long exposure photos are
typically 20 to 40 minutes long with the use of a tripod (The Pulitzer
Foundation for the Arts). To achieve this type of photography with modern day
cameras, you would have to set your shutter on bulb and hold down the shutter
for up to 20 minutes. For printing, Sugimoto uses his own style of silver based
developer (ART21). This creates rich tones for all his photographs with no pure
whites but rich black tones, and he prefers to hand-develop his images.
(ART21). I think that they way he photographs with the long exposure creating a
bright image but then counter acts the pure whites with the silver developer is
amazing. After researching his different subjects of his photography, I think
his images are brilliant. It’s amazing to see his blend of nineteenth century
photography and be able to blend modern textures and architecture with the rich
tones from the developing process is so cool to look at. One of my favorite
pieces from him is the “Stadium Drive-In, Orange, 1993.” I love how you can see
the scenery around the screen, and the few stars. All of his work is so good
it’s hard to find a piece that you don’t like. Personally, I am not a big fan
of the wax figures. I think that the wax portraits that he takes are definitely
different from his other photography, but is another example with his blend of
old and new. His style of work really separate’s him from other photographers,
but in an abstract way.
Works Citied
Caplan, Marla. "Hiroshi Sugimoto |
Japanese Photographer." Encyclopedia Britannica Online. Encyclopedia
Britannica, n.d. Web. 24 Feb. 2016.
Gagosian, Larry. "Hiroshi Sugimoto -
Gagosian Gallery." Hiroshi Sugimoto - Gagosian Gallery. Gagosian Gallery,
n.d. Web. 23 Feb. 2016.
"Hiroshi Sugimoto - 62 Artworks, Bio
& Shows on Artsy." Hiroshi Sugimoto - 62 Artworks, Bio & Shows on
Artsy. Artsy, n.d. Web. 24 Feb. 2016
"Hiroshi Sugimoto | Fraenkel
Gallery." Fraenkel Gallery. Bad Feather, n.d. Web. 23 Feb. 2016.
"Hiroshi Sugimoto's Photographic
Technique | The Pulitzer Foundation for the Arts." Hiroshi Sugimoto's
Photographic Technique | The Pulitzer Foundation for the Arts. N.p., n.d. Web.
24 Feb. 2016.
"Hiroshi Sugimoto: Tradition |
ART21." Hiroshi Sugimoto: Tradition | ART21. ART21, n.d. Web. 24 Feb.
2016.
(All photos from Artsy.net and Artnet.com)
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